By Maria Bregman
On Saturday evening, I had the pleasure of attending a truly spectacular event hosted by the Embassy of Uzbekistan: the sensational ballet “Lazgi – Dance of Soul and Love” by the National Ballet of Uzbekistan. The eagerly awaited premiere took place at the prestigious London Coliseum, one of London’s most famous theatre venues.
In essence, “Lazgi – Dance of Soul and Love” traces the rich history of Khorezm dance and pays homage to the ancient folk dance “Lazgi”, recently inscribed by UNESCO as a significant part of the intangible cultural heritage of mankind. “Lazgi” tells a timeless story of love and the eternal dance of the soul, set against the backdrop of Central Asia’s famous Silk Road.

The ballet was brought to life by renowned German choreographer Raoul Raimondo Rebeck, a true master of his craft, whose vision and innovative techniques have brought the ancient traditions of the Lazgi to a modern stage. Rebeck’s work is characterised by its dynamism and technical brilliance, and his ability to weave together elements of light, music and folk art into a seamless whole.
It was an unforgettable spectacle, combining traditional Uzbek artistry with contemporary dance. One moment we were transported into a world of vibrant national costumes and rich cultural heritage, the next we found ourselves in a starkly futuristic world of steel and leather, where the dancers moved with robotic precision. This stark juxtaposition, the clash of ancient and modern, traditional and futuristic, served as a powerful metaphor for the journey of the soul through time, and prompted reflection on the tension between the soul and the relentless march of progress.

The ballet challenged viewers to consider how we live in a world where emotion and soul can be overshadowed by technological advancement. It reminded us that the human spirit endures, seeking love and connection through time, and that in the midst of technological advancement, we must strive to maintain our human connection, our ability to experience emotion and our capacity for love. The audience were so moved by the performance that they began to applaud before the music had finished, a testament to the sheer brilliance of the production.
I was completely enthralled by the performance on Saturday evening, 14 September. The intricate choreography, the passion of the dancers and the emotional depth of the storytelling all came together to create a truly unforgettable experience. It was a truly profound experience that left me reflecting on the nature of our existence and the power of the human spirit to transcend time and circumstance.






