What the October agenda of CC Forum London XIV actually asks, who is on it, what the four days cost and who should make the…
By Tessa Nolan Vladimir Nabokov arrived in England in the spring of 1919 with a butterfly net, a schoolboy’s English, and no country to go…
Nolan’s Odyssey pities the Cyclops, repents Troy and then butchers the suitors for a finale. A reading of the most expensive guilt machine ever built.
Phoebe Bridgers’ long-awaited third album, Lost Weekend, arrived on August 14, her first solo album since 2020, and I personally believe it was very much…
A lost annotated novel, a bench at Leicester Square and Anthony Hopkins: George Feifer's own account of the coincidence Hopkins still tells.
From Julia Roberts in 1999 to an unshaven model at MM6 x Havaianas in Milan: how body hair went from accident to campaign to runway,…
The Bayeux Tapestry is at the British Museum until July 2027. How it crossed the Channel, why tickets vanished, and where to see the Reading…
The BFI London Film Festival turns 70: 251 works from 88 countries, 7 to 18 October, opening with Elsinore. What to book and how.
Maurizio Cattelan’s NIGHT turns Mies van der Rohe’s glass hall into a contemporary church: a shrunken Brandenburg Gate, a kneeling Hitler, a crucified figure in…
Ink, Primetime and Loktev's exile diary: the 83rd Venice Film Festival kept returning to the media and what it does to the truth.