There is a very specific type of television that Britain produces better than anywhere else in the world: the rural Sunday night murder mystery. You…
The Beautiful Anxious Mess Is Gone. Diane Keaton is gone. And the obituaries will all say the same things. They’ll talk about Woody Allen, of…
By Katerina Karp, visual artist, volunteer, journalist, creative lead Sometimes, the most meaningful cultural projects begin not in boardrooms or curatorial meetings, but in quiet…
For a time, it seemed the code had been settled. Wealth, in its most rarefied form, had decided to whisper. It spoke in the hushed…
There are two ways to interpret Melania Trump’s wardrobe choices during her recent state visit to the UK. The first is to see them as…
There are artists who document their times, and there are artists who tear their work from the fabric of their own bodies. Tracey Emin has…
The first problem a filmmaker faces when attempting to capture Vladimir Putin on screen is that the Russian president is already a heavily mediated fiction.…
The pressure was immense. After the grim, joyless collapse of its previous cinematic universe, DC Studios needed a saviour. It needed a film that could…
It isn’t merely a drawing; it’s a cartography of the damned, a diagram of despair drawn with the exquisite precision of a Renaissance master. This…
This was not a wedding. It was a coronation. A meticulously produced, three-day-long piece of performance art staged on the most magnificent and fragile set…