The Fourth Plinth in Trafalgar Square is one of the most prominent and controversial public art platforms in London. Since 1999, it has hosted a series of temporary artworks by various artists, chosen from a shortlist by a commissioning group. The current sculpture, Antelope by Samson Kambalu, depicts a historical photograph of a Malawian preacher and a missionary, challenging the colonial narratives of the square.
The shortlist for the next two artworks, which will be displayed in 2026 and 2028, has been announced recently. The seven candidates are Chila Kumari Singh Burman, Gabriel Chaile, Ruth Ewan, Thomas J Price, Veronica Ryan, Tschabalala Self and Andra Ursu?a. Their proposals range from a psychedelic ice cream van to a giant sweet potato, from a bronze bust of a woman of colour to a shrouded figure on a horse.
The diversity of the shortlisted artists and their works reflects the changing demographics and dynamics of London and the UK. They also address various social and political issues, such as migration, gender, race, ecology and history. The artworks aim to challenge the hierarchy and the status quo of the public space, as well as to celebrate the creativity and the identity of the people.
The shortlisted artworks will be exhibited at the National Gallery until 17 March 2024, where the public can view them and share their opinions. The winners will be announced in March, and will join the illustrious legacy of the Fourth Plinth, which has been a platform for artistic expression and public debate for 25 years.
