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Internationally recognised art and literary critic, writer and cultural producer. Published in ELLE, Glamour, Esquire and Cosmopolitan; member of the Union of Writers.

By Maria Bregman, writer and film critic

As a film lover who was fortunate enough to see The Piano Lesson at the BFI London Film Festival 2024, I can confidently say that this is a gripping drama that resonates with raw emotion and a powerful exploration of identity, heritage and the influence of the past.

Malcolm Washington, son of the legendary Denzel Washington, makes his directorial debut with an adaptation of August Wilson’s acclaimed Pulitzer Prize-winning play. Produced by Todd Black and Denzel Washington, The Piano Lesson is a powerful drama that reveals the haunting echoes of slavery in the present. Malcolm Washington, who co-wrote the screenplay with Virgil Williams, not only honours Wilson’s legacy, but also brings a fresh perspective to the timeless story. The atmosphere of the film is wonderfully evocative, thanks to Mike Gioulakis’ masterful cinematography and Alexandre Desplat’s haunting score.

Set against the backdrop of the Great Depression in Pittsburgh in 1936, the film focuses on the Charles family, particularly the tense dynamic between siblings Boy Willie (John David Washington) and Berniece (Danielle Deadwyler). Their lives are intertwined with a meticulously carved piano, a family heirloom smuggled out of their former slave master’s house. This piano becomes a focal point of conflict, symbolising the past and the weight of their history. Boy Willie, thirsty for a future free from the shackles of slavery, wants to sell the piano to buy land. Berniece, deeply attached to the piano’s historical significance, is determined to preserve it. 

The film features an extraordinary cast. Samuel L. Jackson delivers a performance of wisdom and quiet strength as the stoic patriarch Doaker Charles.  John David Washington gives a riveting performance as Boy Willie, capturing the young man’s ambition and desperation to forge a new path. Ray Fisher shines as Lymon, Boy Willie’s friend, adding layers to the story with his nuanced performance. Danielle Deadwyler delivers a compelling portrayal of Berniece, haunted by the past and struggling to reconcile her own desires with her family’s legacy. The supporting cast, including Michael Potts and Erykah Badu, also deliver memorable performances, adding depth and complexity to the family dynamic. The entire cast delivers performances that are emotionally charged and deeply affecting, leaving you with a profound sense of the characters’ inner turmoil. 

Malcolm Washington’s debut film impresses with its maturity and depth. The director skilfully balances emotional richness with dramatic tension, allowing each character to fully unfold. The pacing of the narrative allows the viewer to contemplate what is happening on screen. This debut is not only an impressive adaptation, but also an invitation to reflect on our roots and their influence on our lives.

The script, co-written by Malcolm Washington and Virgil Williams, masterfully captures the essence of Wilson’s play while making it accessible to a contemporary audience. This creates a unique link between the classic text and modern perceptions. The powerful narrative encourages audiences to reflect on their own relationship with heritage and identity. 

The film is being produced by Todd Black and Denzel Washington, who have a long association with Wilson’s work. Denzel has previously produced adaptations of Fences and Ma Rainey’s Black Bottom. Their experience and commitment to the project is particularly significant, as they are not only working on the film, but continuing the tradition of exploring the great works in depth.

Cinematographer Mike Gioulakis expertly captures the setting of the Charles family home. Warm tones and careful composition evoke a sense of nostalgia, immersing the viewer in the realities of the time. The lighting accentuates the emotions on the faces of the characters, vividly reflecting their inner conflicts. Gioulakis’ cinematography not only shows the details of the family’s daily life, but also captures the palpable tension that permeates their home.

Alexandre Desplat’s haunting score adds another layer of emotional resonance. Every note emphasises the narrative without overshadowing the performances of the actors. Desplat’s music helps to reveal the story of the characters, creating a multi-layered and memorable experience for the viewer.

I have always been drawn to stories that explore the complexities of human relationships. At its heart, the film is a poignant exploration of family dynamics, particularly how they are formed over a long period of time. The story encourages a deeper understanding of how unresolved histories can affect current generations and the choices they face in redefining their identities. I was struck by how deeply the film forces viewers to confront uncomfortable truths and questions about heritage.

The Piano Lesson is for anyone looking for a thought-provoking and emotionally resonant drama. Its captivating performances, intriguing storytelling and masterfully crafted atmosphere leave a lasting impression on audiences.