Katy Perry's Lifetimes concert film reportedly took about £21,000 in 150 UK cinemas. The verified context, a $134m tour and the economics of event cinema,…
By Maria Bregman Most coverage of a film festival is written for the audience. This piece is for the people on the other side of…
Serbian painter Ratko Torma gives thoughts and fears a physical shape in oil. Two canvases from his series Mental Constructions.
In 1859, William Morris married Jane Burden and needed a home. He was twenty-five, a poet and painter, restless and already dissatisfied with the direction…
By Lana Sterling Sam Wanamaker’s relentless, decades-long campaign to reconstruct Shakespeare’s Globe on London’s Bankside defied skepticism, bringing a vital piece of theatrical history back…
By Alexander Stone A gallery exhibition in London is not reviewed because someone asked nicely. It is reviewed because a hang was ready, a press…
By Alexander Stone The 1951 Festival of Britain was a bold initiative by the Labour government to uplift national spirits and showcase modern British achievements…
By Tessa Nolan Alexander McQueen fundamentally reshaped the fashion show, transforming it from a simple display of garments into visceral, narrative-driven performance art, all while…
Danny Boyle's Ink opened Venice on 2 September 2026. James Graham adapted his own 2017 stage play, and the craft problem is visible in every…
At a dress rehearsal on the stage of the Royal Opera House in the summer of 1954, a woman of sixty-nine in ordinary day clothes…