By Sara Bright In June 2026, Christophe Leribault stood before the French Senate’s Culture Committee and delivered a verdict that would have been unthinkable a…
By Sara Bright Sara Bright West End box office revenue topped £1.07 billion in 2023. In 2025, London’s theatre district pulled in 17.64 million theatregoers…
By Alexander Stone On a sweltering Friday evening in Peckham last July, a warehouse behind the vinyl-forward bar Jumbi was vibrating – not from the…
By Tessa Nolan When Tschabalala Self’s Lady in Blue is craned onto the Fourth Plinth in Trafalgar Square this September, it will mark a quiet…
By Alexander Stone Alexander Stone Beneath the basement of a nondescript office block at 85 Gracechurch Street, archaeologists from the Museum of London Archaeology made…
By Sara Bright Sara Bright When Frieze London opens its doors in Regent’s Park this October, it will do so at a moment of genuine…
By Sara Noah Something unusual happened in London between January and June 2025. The capital’s major art institutions – Tate, the National Gallery, the Barbican,…
By Sara Noah Stephen Friedman Gallery closed in February. Tiwani Contemporary, after fifteen years championing African diasporic art from its Mayfair base, followed in May.…
By Sara Bright Pop music is an industry designed to consume youth and spit out the bones. It possesses no structural capacity for aging women.…
By Tessa Nolan There is a peculiar contradiction at the heart of London’s art world in 2026. The blockbuster exhibitions are extraordinary – perhaps the…