Mark Velvet's Debut Album Closer Merges Synthwave and Rock From a Tbilisi Bedroom

Specialist contributor covering new media, digital art and interdisciplinary practices.

By Tessa Nolan

When Mark Velvet released “Redline” in July 2023, the track arrived as a two-minute burst of pulsating synths and driving percussion that announced a new voice in the synthwave scene. Two years later, that voice has matured into something considerably more ambitious. Closer, his debut full-length album released on 16 May 2025 via SkyQode, is an eleven-track statement that refuses to sit comfortably within any single genre classification. It is the work of a solo artist who happens to play every instrument, sing every vocal, and write every lyric – and who uses that total creative control to build something that feels both deeply personal and cinematically expansive.

From Instagram Covers to a Debut Album

Mark Velvet is the stage name of Andrei Vidanov, a multi-instrumentalist and producer based in Tbilisi, Georgia. His path to original material began not in a recording studio but on Instagram, where a series of synthwave covers attracted a growing audience of listeners drawn to his ability to reframe familiar tracks through a distinctly modern lens. The covers – ranging from Kavinsky’s “Nightcall” to David Bowie’s “Space Oddity” – functioned as both creative exercises and calling cards, demonstrating a facility with the genre’s foundational aesthetics while hinting at something more個人al beneath the surface.

The transition from reinterpretation to original composition came swiftly. “Redline,” his debut single, landed in July 2023 through SkyQode, a Germany-based independent label specialising in synthpop, darkwave, and industrial music. The label’s catalogue – spanning artists such as Mental Discipline, Last Activity, and Deflexity – provided a natural home for an artist working at the intersection of retro-futuristic electronics and contemporary rock production. Within months, Velvet had released a follow-up single, “Together / Tonight,” co-written with guitarist Aleksei Zotov, and the steady stream of releases continued through 2024: “Everyday Hero,” “Andromeda Blues,” “Space Oddity,” and “Mind’s Pleasures” each arrived as standalone statements that collectively traced an artist refining his sound in public.

By the time Closer appeared, the singles had already established the parameters of Velvet’s artistic identity. The album did not so much reveal a new direction as deepen and complicate the one he had been exploring.

The Architecture of Closer

The most striking fact about Closer is also the most revealing: Mark Velvet performs every vocal and every instrument on the album’s eleven original tracks. This is not a band dynamic filtered through a single songwriter’s vision; it is the product of a single creative consciousness executing every element, from the gated drum patterns that anchor the synthwave foundation to the guitar solos that punctuate the more rock-oriented moments.

The album opens with “Redline,” whose deep synth stabs and pounding drums set a tone of controlled urgency. It moves through “Everyday Hero,” an arena-ready anthem built on crunchy bass and punchy percussion, before arriving at “Sacred Fire,” where aggressive guitar riffing and an acoustic rock kit push the material into more muscular territory. The title track, “Closer,” occupies the album’s emotional centre: a synth-rock ballad driven by smoldering bass synths and warm guitar tones, building gradually toward a cathartic chorus. As Dan Eachus wrote in his RetroSynth Records review, the track “wraps personal yearning in power ballad rock soundscapes,” embodying the album’s thematic preoccupation with forging connections through time, space, and nostalgia.

The back half of the record takes more adventurous turns. “Rocketeer” channels an anti-war message through retro-futuristic synth lines and fast-paced drum programming, while “Andromeda Blues” leans into 80s hair metal territory, pairing soaring vocals with classic rock guitar licks over a synth-stab bridge. “Mind’s Pleasures,” the longest track at five minutes and thirty-five seconds, pushes into extended synth-rock territory with hypnotic grooves and atmospheric pads. The album closes with a reimagined “Night Drive” version of the title track – a slower, darker reinterpretation featuring light arpeggios and, unexpectedly, a gong, building to a guitar solo that serves as the record’s final exhalation.

The limited CD edition adds bonus material: Velvet’s interpretations of Bowie’s “Space Oddity” and Kavinsky’s “Nightcall,” alongside a stripped-down piano version of the title track. These additions trace the artist’s lineage explicitly, positioning his original work within a tradition of cinematic, emotionally charged electronic music.

The Solo Artist as auteur

The question of authorship matters in Velvet’s case because it speaks to a broader shift in how independent music is being made. Where earlier generations of synthwave artists often operated in loose collectives or relied on collaborators for specific instrumental contributions, Velvet’s approach represents the fully realised vision of a solo creator. He is, as the label’s own materials describe him, “a multi-instrumentalist and an expert in arrangement, songwriting, and production across a wide range of musical genres.” The LinkedIn profile that details his career – founding the Mark Velvet company in Tbilisi in 2023, working as a music producer, contributing to the Georgian project 2MUZA – paints a picture of an artist whose creative output extends well beyond his solo releases.

This total ownership of process carries specific consequences for the music itself. On Closer, there is a consistency of vision that is difficult to achieve when multiple creative voices are in play. The vocal performances – from emotive balladry to powerful rock choruses – are shaped by a single sensibility. The production choices, from the arpeggiated synth leads that define the genre’s vocabulary to the real drums and guitar solos that distinguish Velvet’s hybrid approach, reflect decisions made by one person rather than negotiated among several.

Synthwave in 2026: A Genre Still Growing

Velvet’s work arrives at a moment when synthwave, once a niche internet-born genre, has consolidated its position as a legitimate and growing presence in the streaming landscape. Spotify data indicates that synthwave listenership has grown by 300% since 2018, with community-curated playlists such as “Retrowave Synthwave” – which has accumulated over 270,000 saves – serving as primary discovery infrastructure for the genre. The UK has emerged as one of its most fertile creative hubs, with Gunship’s success having put British synthwave on the global map and a growing network of artists, labels, and visual designers continuing to elevate the sound.

The genre’s appeal, as Decoded Magazine noted in a June 2026 analysis, lies in its capacity to serve multiple functional listening contexts: driving, working, gaming, and exercise. It is, in the publication’s framing, “a contradiction – a futuristic genre that lives in the past, an analogue dream reimagined in digital code.” This dual identity – nostalgic yet forward-looking, personal yet cinematic – makes it a natural vehicle for an artist like Velvet, whose work draws on the emotional register of 80s film soundtracks while deploying contemporary production techniques.

The broader music landscape of 2026, as documented by outlets such as Epidemic Sound, has seen genre-blending become the norm rather than the exception. The boundaries between electronic, rock, and pop have softened considerably, with artists drawing freely across categories. Velvet’s synthwave-rock hybrid sits precisely at this intersection, combining the arpeggiated leads and neon-tinged tonality of the former with the guitar-driven intensity and real drum sounds of the latter. It is a sound that acknowledges its influences – Kavinsky, Muse, Depeche Mode, as Velvet has cited – while insisting on its own identity.

What Closer Means

The title of the album functions as both a statement of intent and a description of its emotional core. Velvet’s lyrics throughout Closer return repeatedly to themes of connection, proximity, and the tension between distance and intimacy. Lines like “The universe has shrunk to the size of our room” from the title track – described by Electrozombies reviewer Thomas Frenken as “not cheesy, but honest – almost as if someone were pouring their heart out in the middle of the night” – distill the album’s preoccupation with the way love reshapes our perception of space and time.

This thematic coherence, combined with the sonic ambition of the production, gives Closer a weight that belies its status as a debut. It is not the work of an artist tentatively exploring possibilities; it is a confident assertion of identity from someone who has spent years developing the technical skills and emotional vocabulary to execute a vision on this scale. In a genre that rewards consistency and catalog depth – where, as Chartlex’s analysis of synthwave streaming patterns notes, “success typically accumulates gradually through a growing catalog that listeners explore deeply and return to repeatedly” – Velvet has delivered a foundation substantial enough to build upon.

For listeners encountering Mark Velvet for the first time, Closer functions as both an introduction and a complete statement. For those who have followed his progression from Instagram covers through a string of singles to this debut album, it represents the realisation of a trajectory that has been building since “Redline” first appeared in the summer of 2023. Either way, it confirms what the earliest releases suggested: that this is an artist whose reach extends well beyond the boundaries of any single genre.

Closer is available now via SkyQode on all major streaming platforms. For more on the UK synthwave scene, see our coverage of The Mercury Prize 2024.