By Lana Sterling Edward Berger’s Conclave is a locked-room political thriller disguised as ecclesiastical pageantry. Adapted from Robert Harris’s 2016 novel by screenwriter Peter Straughan…
By Sara Bright HBO’s Dune: Prophecy emerges as an ambitious prequel to Denis Villeneuve’s celebrated cinematic adaptations of Frank Herbert’s Dune series. Set millennia before…
By Sara Bright Re-examining a Cultural Icon The figure of Donald Trump, often portrayed with an orange hue and a characteristic bravado, has fascinated, bewildered,…
By Maria Bregman, writer and film critic I had the privilege of seeing Adam Elliott’s latest masterpiece, Memoir of a Snail, at the London Film…
By Maria Bregman, writer and film critic As a film lover who was fortunate enough to see The Piano Lesson at the BFI London Film…
The SIFFA (SIFFA Independent Film Festival and Awards) of 2024 brings a unique cultural experience to London, celebrating the depth and diversity of global cinema…
By Maria Bregman, writer and film critic The SIFFA Independent Film Festival and Awards of 2024 has assembled a diverse programme that showcases exceptional storytelling…
By Sara Bright Reality television, in recent years, has transformed into a powerful cultural phenomenon. Shows like Love is Blind capture audiences not only through…
By Maria Bregman, writer and film critic The Independent International Film Festival (SIFFA) returns to London in 2024, set to launch on November 18th, with…
By Sara Bright In the diverse landscape of genre-blending cinema, The Black Widow: Bite of Death emerges as an intriguing yet modest entry within the…