By Sara Bright There is a certain chiaroscuro to the contemporary cultural landscape, a fascination with shadow that requires an icon. Hollywood, ever the mirror,…
By Sara Bright In the grand, often blood-spattered theatre of British crime drama, a new sovereign has claimed the throne. Guy Ritchie’s The Gentlemen, a sprawling,…
By Sara Bright The first half of 2025 has delivered a cinematic landscape of remarkable range – from Ryan Coogler’s genre-defying vampire epic to Steven…
By Maria Bregman, writer, film and art critic In the hallowed halls of British television drama, the crime procedural is a venerable institution, as established…
By Maria Bregman, writer and film critic In the hallowed edit suites and bustling production offices of the United Kingdom’s screen sector, a new collaborator…
By Sara Bright There is a version of Jamie Lee Curtis’ career that looks like a series of lucky breaks. Halloween made her a star…
By Sara Bright The rustle of leaves in an ancient forest, the glint of something sinister in the undergrowth – these primal images seem to…
By Sara Bright There is a particular sentience to the way certain literary worlds translate to the screen, their atmospheric essence and complex characters finding…
By Maria Bregman, writer and film critic. She has authored critical articles for publications such as Cosmopolitan, ELLE, Esquire, and curated art exhibitions, including Zurab…
By Anne Fry The very fabric of storytelling often seems to possess an innate ability to adapt, to regenerate its core elements to speak to…