By Sara Bright Jonathan Wateridge’s studio is a place of quiet contradiction. Tucked away in Tottenham Hale, the two-storey space is dominated by canvases of…
By Sara Bright History does not give up its secrets easily. Sometimes they are buried under layers of earth, and sometimes they are hidden in…
By Sara Bright An object can survive for three thousand years. It can witness the fall of dynasties, the shifting of sands, the birth of…
There are artists who document their times, and there are artists who tear their work from the fabric of their own bodies. Tracey Emin has…
By Sara Bright Art does not simply exist; it travels. A great painting is a vessel, carrying with it the ambitions of its creator, the…
By Sara Bright What if you could not only hear a song, but see and touch it? For artist and composer Jura Skye, that’s not…
There is a precise moment when a building crosses the threshold from architectural landmark to derelict shell. For the Bernat Klein Studio, a Category A-listed…
By Sara Bright We have a habit of treating art as a form of decoration. We see it as a beautiful, profound, or challenging commentary…
In the rapidly expanding and often hyper-kinetic ecosystem of digital art, where hyper-realistic rendering and futuristic aesthetics frequently take precedence over emotional resonance, the work…
In 2000, the Japanese conceptual artist Shimabuku (born 1969 in Kobe) initiated one of the most rigorously eccentric interspecies collaborations in contemporary art history. Entitled…