By Sara Bright Sara Bright In a consultation room in Gloucestershire, a GP hands a patient not a script for sertraline, but a referral to…
By Tessa Nolan In July 2025, Amy Sherald did something no artist of her stature had done before at the Smithsonian: she walked away. The…
By Sara Bright In September 2025, a federal judge in Rhode Island delivered a verdict that reverberated far beyond the courtroom. U.S. Senior District Court…
By Sara Bright When a Drawing Becomes a Song On 12 May 2026, inside the lobby of Rome’s MAXXI – the national museum of twenty-first-century…
By Maria Bregman, a London-based art critic, writer, and curator. Maria is Founder and Editor-in-Chief of Creativitys.UK (77K+ monthly readers) and operates a media network…
In the traditional museum, the object is a captive of its label. The small rectangular placard – often printed in austere, sans-serif typography – has…
By Sara Bright At the Cristea Roberts Gallery during the Georg Baselitz exhibition. The show was called Geschichte and ran from late January to the…
By Maria Bregman, writer, literary and art critic January is usually the time when the art world hides. The champagne from Basel Miami has worn…
By Maria Bregman, writer and art critic https://en.wikipedia.org/wiki/Maria_Bregman. Her critical work and essays are featured in major global publications such as Elle, Esquire, Cosmopolitan, and…
By Katerina Karp, visual artist, volunteer, journalist, creative lead Some of the oldest known examples of textiles have been found in great detail, along with…