By Maria Bregman, a London-based art critic, writer, and curator. Maria is Founder and Editor-in-Chief of Creativitys.UK (77K+ monthly readers) and operates a media network…
In the traditional museum, the object is a captive of its label. The small rectangular placard – often printed in austere, sans-serif typography – has…
By Sara Bright At the Cristea Roberts Gallery during the Georg Baselitz exhibition. The show was called Geschichte and ran from late January to the…
By Maria Bregman, writer, literary and art critic January is usually the time when the art world hides. The champagne from Basel Miami has worn…
By Maria Bregman, writer and art critic https://en.wikipedia.org/wiki/Maria_Bregman. Her critical work and essays are featured in major global publications such as Elle, Esquire, Cosmopolitan, and…
By Katerina Karp, visual artist, volunteer, journalist, creative lead Some of the oldest known examples of textiles have been found in great detail, along with…
By Sara Bright There is a story about JMW Turner that I’ve always loved, mostly because it makes him sound like an absolute nightmare to…
By Maria Bregman, writer and art critic I found myself in a hotel lobby the other day. You know the type. The art’otel. It’s sleek,…
By Maria Bregman, writer and art critic I was looking at the auction results from Versailles this weekend, and I had to wipe my glasses.…
The public appetite for watching creative minds unravel is as old as art itself – and it shows no sign of fading. From the mythology…