By Sara Bright Sara Bright The boundary between what we see and what we imagine has always been porous. In painting, the tension between realism…
By Sara Bright Two years ago, Cecilia Alemani’s Milk of Dreams at the 59th Venice Biennale made history by featuring a record number of artists…
By Sara Noah London’s galleries in 2025 are staging shows that interrogate identity, history, and the very nature of art-making. The season’s exhibitions are not…
By Sara Bright There is a peculiar silence at the heart of the global plastic crisis – the silence of 52.1 million metric tonnes of…
By Sara Bright In a city that once spun more cotton than anywhere else on earth, the threads have not gone silent. They have simply…
By Sara Bright What is one of the earliest subjects in art – as well one of the most censored? The breast. First carved onto…
By Sara Bright In a candlelit room at Sennowe Park, the Edwardian country house in Norfolk that has been home to the Temple-Richards family for…
By Sara Bright A portrait has never been a mirror. It is a negotiation – a silent contract between the one who looks and the…
By Sara Bright When Kirsha Kaechele admitted in July 2024 that the Picasso paintings hanging in her Ladies Lounge at Hobart’s Museum of Old and…
By Maria Bregman, writer, literary and art critic Endless Column by Hank Willis Thomas, previously exhibited in Regent’s Park, London. (Creative Commons) While wandering through…