By Sara Bright In 2020, Al Pacino died. Not theatrically, not in character, not for the cameras – he actually died, clinically and completely, on…
By Sara Bright When Daniel Chávez Heras describes the Intelligent Systems for Screen Archives project, he reaches for a phrase that cuts to the heart…
By Sara Bright Sara Bright Last spring, in the wood-panelled rooms of Manchester Art Gallery, a group of artists, philosophers and curious members of the…
By Sara Bright When a Drawing Becomes a Song On 12 May 2026, inside the lobby of Rome’s MAXXI – the national museum of twenty-first-century…
By Sara Bright When Scott Beck and Bryan Woods released 65 in March 2023, the film arrived to a collective shrug from critics and a…
By Sara Bright There is something quietly extraordinary about the number 2025. Not in the usual sense – not the way any new year carries…
In the traditional museum, the object is a captive of its label. The small rectangular placard – often printed in austere, sans-serif typography – has…
By Katerina Karp “What is the most effective punishment for a crime?” It is a question that has echoed through millennia, from the Athenian agora…
By Sara Bright. Let’s be honest about the Golden Globes. It’s a dinner party. It’s a place where beautiful people in very expensive tuxedos pat…
By Sara Bright Let’s be honest. The Golden Globes have always been the slightly drunk, slightly embarrassing uncle of the awards season. They are chaotic.…