By Alexander Stone Britain never set out to become a home for the Russian avant-garde. It has no equivalent of the Stedelijk Museum’s Malevich holdings…
Nolan’s Odyssey pities the Cyclops, repents Troy and then butchers the suitors for a finale. A reading of the most expensive guilt machine ever built.
Walk into the medieval and early Renaissance rooms of the National Gallery in London and you pass, within a few paces, a lamb tucked under…
In 1859, William Morris married Jane Burden and needed a home. He was twenty-five, a poet and painter, restless and already dissatisfied with the direction…
By Alexander Stone A gallery exhibition in London is not reviewed because someone asked nicely. It is reviewed because a hang was ready, a press…
By Alexander Stone The 1951 Festival of Britain was a bold initiative by the Labour government to uplift national spirits and showcase modern British achievements…
Danny Boyle's Ink opened Venice on 2 September 2026. James Graham adapted his own 2017 stage play, and the craft problem is visible in every…
By Alexander Stone The acid house phenomenon of 1988-89 transformed British youth culture, introducing a new sonic landscape from Chicago and igniting an explosion of…
The Bauhaus was a school. It operated for fourteen years, from 1919 to 1933, in three German cities: Weimar, Dessau and Berlin. It had fewer…
By Alexander Stone Francis Bacon’s viscerally distorted figures, emerging from the ruins of World War II, captured the raw psychological aftermath of a century defined…